Ode To A Different Kind Of July

Usually this month, I am weeping the
Teacher’s Lament
Late-July tears over the weight
Of an entire school year looming
Plus my own kids’ growings and
Goings. I think if I dig my
Heels into the floor, could I stop the
Rotation of the Earth?

But not this July!
(Insert emojis of me
Cha-cha-ing in a pancho and
Sombrero) I hung up my
School teacher shoes and
Opened an Airbnb in our modest
Little Rancher. And now . . .

For two-plus decades I haven’t
Dabbled.
I’ve grappled.
I’ve been in the life-or-death
Grapple of time versus
Children versus budget versus
Ought versus keen love versus school calendar
Versus me.

But now I can Dabble.
Today, for instance, I
Opened a bag of quilt blocks
Purchased at an antique store in
Swannanoa, North Carolina.

A few minutes studying the blocks
Laid out on our bed showed me
That my new task was
Metaphorical.
The ‘how’ and the
‘When’
Are the same:

Around the Edges.

I sew around the edges of life,
Around the edges of running a life –
Inn-keeping, Mama-loving, ACT Prepping –
And
I sew around the edges of
The pot and stem and three
Hexagonal flowers designed,
But never finished,
By an Appalachian mystery woman.

Big muslin block
By big muslin block,
They tell her tale:

Auntie prepared them.
To be sewn around the edges.
And then, for some reason,
She abandoned her careful
Design and tiny stitches and
Lovely colors of hope and
Symmetry, of yellow calico pots
And funfetti flowers.
She just quit.
And of course we knew why,
The way of all flesh. The world lost
A quilt when she died.

A niece took a stab
In one block at
Carrying on Auntie’s vision.
But she was impulsive,
A Facebook scroller.
She didn’t notice
Details.
She didn’t see that Auntie’s top
Flower was solid
With a busy-print center.
And the two lower blooms
Were
Opposite –
Busy-print with a solid center.
She didn’t notice, you see.
She was in a hurry.

So I will notice. I will notice,
In the blocks, Niecey
Not noticing. And I will notice
The importance of noticing.
But I will fail too. I will not notice
Auntie’s green thread and will
Laboriously stitch with white.

Are Niecey’s deviations
And mine part of the final quilt’s
Grand story of three women and their
Artistic and contextual convergences?
‘Psshh,’
Says Auntie from
The sewing corner, the
One light corner, of her home in the
Pisgah, ‘Look at it. Get it right!’

So I will learn an appliqué stitch,
Via YouTube,
And will stitch more big
Muslin blocks of stems and
Hexagonal flowers. I will
Slow
Down
And notice Auntie’s stitches and
Plans.
And I will
Honor them. It will seem
Unimportant,
But it will be a song crafted
With a needle, as all quilts are:
‘Death, where is your sting?’

And when Auntie’s work is finished,
I will put it on our bed, our big
Happy, empty-nest, inn-keeping
Mama-loving, July-singing
Bed.

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